Ready Player One: In addition to my standard Motion Capture roles, I did previz hard-surface 3d modeling and texturing that ran in realtime inside the unity game engine. The IOI stockcar was my favorite asset which was 3d printed and then fabricated into a real world object used on set to help achieve the desired performance

Each day on the set of  The Junglebook I built a custom, character specific VSK and VSS used in realtime to drive CG representations of our actors and actresses, stunt people,or extras. During post processing, I tracked Neels performance capture data.

I also had the pleasure of working alongside some of the industries most talented artists who I continue to look up to and attempt to emulate. This show was quite the learning experience. 

Over the months I worked on Quantum break I continued to build custom character specific VSK and VSS for our actors/actresses.

 

On shoot days I assisted in building real world representations of digital sets in order to help the cast better interact with the cg world.

Off set, I tracked and cleaned motion capture data accurately delivering the body performances given by the cast.  

I built custom character specific VSK and VSS for our actors/actresses.

On shoot days I assisted in building real world representations of digital sets in order to help the cast better interact with the cg world.

Off set, I accurately tracked and cleaned motion capture data delivering the body performances given by the cast.  

Also this was my first time working with a LIDAR scan

On Tomb Raider I built more character specific VSK and VSS for our actors/actresses. I also assisted in building out real world representations of digital sets in order to help the cast better interact with the world.

Off set, I tracked and cleaned motion capture data delivering body performances given by the cast.  I tracked facial performance captures and animated eyes and eyelids to give the capture the extra punch it needed. 

I built the character specific VSK and VSS for our actors/actresses.

I assisted in building real world representations of digital sets in order to help the cast better interact with the cg world.

Off set, I accurately tracked and cleaned motion capture data delivering the body performances given by the cast.  

SUNSET OVERDRIVE

SUNSET OVERDRIVE

Body Tracking Mocap Camera Op

Halo-5: Guardians

Halo-5: Guardians

Body Tracking MoCap Camera Op

SHADOW OF MORDOR

SHADOW OF MORDOR

Face & Body Tracking Script Notes

MALEFICENT

MALEFICENT

Face Tracking

INFAMOUS: SECOND SON

INFAMOUS: SECOND SON

Face & Body Tracking Mocap Camera Op Script Notes

MAD MAX

MAD MAX

Bodytracking Script Notes